Lorraine's grant was in three parts; funding towards the purchase of the book "The British Violin", a donation of wood which she is currently using for a baroque violin based on Andrea Amati that she has seen at the Ashmolean Museum, and a one-week work experience placement with the restorer Matthew Wing in London.  Lorraine writes of this experience: 

"The best part of the grant was for me the one week workshop placement I had with Matthew Wing. Indeed I really would like to become a restorer and working with him was a great experience. I have been able to see really good instruments and we were both doing a through patch. It was really good because I hadn’t done one before and I must admit that I was quite scared about it. But Matthew being one step further than me, I always knew where to go. I really have learnt a lot during that week.  Thank you a lot for all that help, it really is important for me."

The pictures below show the stages of fitting the through patch in a damaged violin.

1.  The damage to the front - a worm run has left a hole that needs to be filled

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2.  Plate hollowed in preparation for fitting a wood shaving to match the grain of the front

3.  Shaving glued in place

4.  Outside of front with shaving glued in place

5.  Patch fitted over shaving